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home·artworks·Young Girl Arranging Flowers
Young Girl Arranging Flowers by Jehan Georges Vibert

plate no. 2182

Young Girl Arranging Flowers

Jehan Georges Vibert, 1862

oilRealismportraitfigureflowersdressportraitindoorbucket
some experience helpful

This painting offers a great opportunity to practice rendering soft light and shadow, as well as capturing the texture of fabric and the delicate details of flowers. Students can also develop their skills in depicting the human form and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, the flower bucket, and the overall composition.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure and dress with mid-tone values.

  4. step 04

    Start adding the flowers, focusing on their general shapes and colors rather than individual details.

  5. step 05

    Gradually build up the highlights and shadows on the figure, dress, and flower bucket.

  6. step 06

    Refine the details of the flowers, adding subtle color variations and textures.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · titanium white · alizarin crimson · yellow ochre

secondary · ultramarine blue · burnt umber · cadmium red light

Mix various shades of gray and brown by combining black, white, and umber. Achieve skin tones by blending white, yellow ochre, and alizarin crimson. Create the dress color by mixing white with a touch of blue and gray.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to establish a strong value structure.
  • →Getting bogged down in the individual details of the flowers before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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