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Self-Portrait II by Mihaly Munkacsy

plate no. 3022

Self-Portrait II

Mihaly Munkacsy, 1881

oilRealismself-portraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also provides practice in layering and blending techniques.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the mid-tones.

  4. step 04

    Begin building up the darker values in the background and clothing.

  5. step 05

    Refine the facial features, paying close attention to the highlights and shadows.

  6. step 06

    Add details to the hair and beard, using short, broken brushstrokes.

  7. step 07

    Glaze thin layers of color to adjust the overall tone and create depth.

  8. step 08

    Add final highlights and details to bring the portrait to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of yellow ochre and cadmium red light to add warmth to the skin tones.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the overall harmony.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a high-quality canvas primed with gesso. Consider using a medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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