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home·artworks·Valle de México desde el Molino del Rey
Valle de México desde el Molino del Rey by Jose Maria Velasco

plate no. 5219

Valle de México desde el Molino del Rey

Jose Maria Velasco, 1898

oilRealismlandscapemountainsskycloudslandscapebuildingstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering detailed foliage and architectural elements within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like mountains, buildings, and trees.

  2. step 02

    Establish the sky with a light blue base, gradually adding clouds using soft blending techniques.

  3. step 03

    Block in the distant mountains with muted blues and purples, paying attention to atmospheric perspective.

  4. step 04

    Paint the mid-ground fields and forests, layering different shades of green and brown to create depth.

  5. step 05

    Add the buildings and structures, focusing on accurate proportions and details.

  6. step 06

    Develop the foreground with detailed foliage and textures, using a variety of brushstrokes.

  7. step 07

    Refine the details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Achieve the muted mountain colors by mixing ultramarine blue with burnt umber and a touch of white. Create various greens by mixing yellow ochre, ultramarine blue, and a touch of white. Use alizarin crimson and burnt umber to create earth tones.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Failing to establish a strong sense of atmospheric perspective, resulting in a flat image.
  • →Overworking the details in the foreground, distracting from the overall composition.
  • →Using too much bright green, making the landscape appear unnatural.
  • →Ignoring the subtle color variations in the sky and mountains.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 6, 8, 10)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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