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home·artworks·Catching Up on the News
Catching Up on the News by Eastman Johnson

plate no. 9475

Catching Up on the News

Eastman Johnson

oilRealismgenre paintingfigureslandscapebuildinghaystacktreesfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding how light and shadow create depth and form. It also provides practice in mixing subtle color variations to depict natural elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition.

  2. step 02

    Establish the darkest and lightest values to create a sense of depth.

  3. step 03

    Block in the large areas of color, such as the sky, field, and haystack.

  4. step 04

    Develop the figures, paying attention to the light and shadow on their forms.

  5. step 05

    Add details to the landscape, such as the trees, foliage, and building.

  6. step 06

    Refine the colors and values, blending where necessary.

  7. step 07

    Add final details, such as the newspaper and the texture of the haystack.

  8. step 08

    Glaze with thin layers to unify the painting and adjust colors.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · sap green · raw sienna

Achieve the warm tones by mixing yellow ochre with burnt umber and a touch of cadmium red. Create the greens by mixing ultramarine blue with yellow ochre and sap green. Use white to lighten values and create highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the value structure.

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oil painting for beginners →how to learn by studying the masters →
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