
plate no. 3603
Hendrick Terbrugghen, 1626
Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and fabric, as well as understanding dramatic lighting and shadow (tenebrism). Students will also learn to depict textures of different materials like wood and paper.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main shapes: the figure, lute, and sheet music.
Establish the dark background using a thin wash of dark brown or black.
Block in the main areas of color: skin tones, fabric, lute wood, and sheet music.
Focus on the light source and begin building up highlights on the figure and lute.
Develop the shadows, paying attention to the subtle gradations in tone.
Add details to the face, hands, and lute, refining the shapes and adding texture.
Paint the patterns on the fabric and the details on the sheet music.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · burnt umber · titanium white
secondary · cadmium red · ultramarine blue · yellow ochre
Skin tones can be achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber or raw umber to the skin tone mixture. The lute wood is a mix of raw umber and burnt umber with highlights of yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.
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