apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Triangle Player
The Triangle Player by Georges de la Tour

plate no. 7443

The Triangle Player

Georges de la Tour

oil, canvasTenebrismgenre paintingfiguremanclothingtrianglemusical instrumenttenebrism
some experience helpful

Recreating this painting will help students understand how to create form using subtle value changes and how to depict fabric folds and textures. It also provides practice in rendering realistic skin tones under dramatic lighting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and the triangle on the canvas.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color: the red clothing, the white head covering, and the skin tones.

  4. step 04

    Begin building up the values in the face, focusing on the subtle transitions between light and shadow.

  5. step 05

    Develop the folds and highlights in the clothing, paying attention to how the light interacts with the fabric.

  6. step 06

    Refine the details of the hands and the triangle, ensuring accurate proportions and values.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a luminous effect.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Mix various shades of brown and red by combining burnt umber, raw sienna, and cadmium red with white. Use yellow ochre to warm up the skin tones and create highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·blending
  • ·value study

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of light and shadow.
  • →Using too much paint and losing the subtle value transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

St. Simon

St. Simon

Georges de la Tour

St. Bartholomew

St. Bartholomew

Jusepe de Ribera

Glowers in a sculpted vase on a stone plinth

Glowers in a sculpted vase on a stone plinth

Mario Nuzzi

St. Jerome

St. Jerome

Jusepe de Ribera

A Mother Entrusting Her Sons to Christ

A Mother Entrusting Her Sons to Christ

Mattia Preti

Adoration of the Magi in a wreath of flowers

Adoration of the Magi in a wreath of flowers

Mario Nuzzi

St. Philip

St. Philip

Jusepe de Ribera

The Penitent Magdalen (Vanitas)

The Penitent Magdalen (Vanitas)

Jusepe de Ribera