
plate no. 4919
Hendrick Terbrugghen, 1628
Recreating this painting will help students develop skills in portraiture, including rendering skin tones and creating realistic drapery folds. It also provides practice in depicting textures and subtle gradations of light and shadow.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the figure and the placement of the globe.
Establish the background with a thin wash of neutral color.
Block in the main shapes of the figure, globe, and drapery with simplified color masses.
Begin layering and blending colors to create the skin tones, paying attention to the subtle variations in light and shadow.
Develop the details of the face, including the wrinkles, beard, and expression.
Refine the drapery folds, using highlights and shadows to create a sense of volume.
Add details to the globe, including the continents and the metallic band.
Apply final glazes to unify the painting and enhance the colors.
color palette
primary · raw umber · titanium white · cadmium yellow light
secondary · alizarin crimson · ultramarine blue · yellow ochre
Mix skin tones by blending white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create the darker shades in the drapery and background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.
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