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home·artworks·Heraclitus
Heraclitus by Hendrick Terbrugghen

plate no. 4919

Heraclitus

Hendrick Terbrugghen, 1628

oil, canvasBaroqueportraitfigureportraitglobeold mandraperybeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and creating realistic drapery folds. It also provides practice in depicting textures and subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the globe.

  2. step 02

    Establish the background with a thin wash of neutral color.

  3. step 03

    Block in the main shapes of the figure, globe, and drapery with simplified color masses.

  4. step 04

    Begin layering and blending colors to create the skin tones, paying attention to the subtle variations in light and shadow.

  5. step 05

    Develop the details of the face, including the wrinkles, beard, and expression.

  6. step 06

    Refine the drapery folds, using highlights and shadows to create a sense of volume.

  7. step 07

    Add details to the globe, including the continents and the metallic band.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · titanium white · cadmium yellow light

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix skin tones by blending white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create the darker shades in the drapery and background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, titanium white, cadmium yellow light, alizarin crimson, ultramarine blue, yellow ochre)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Mahogany palette

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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