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home·artworks·A Mother Entrusting Her Sons to Christ
A Mother Entrusting Her Sons to Christ by Mattia Preti

plate no. 5739

A Mother Entrusting Her Sons to Christ

Mattia Preti

oilTenebrismreligious paintingfiguresreligious scenedark backgroundclothinggroup portraitcup
experienced study

Recreating this painting will help students develop skills in dramatic lighting and shadow rendering, as well as understanding how to create depth using value contrast. Students will also learn how to mix subtle skin tones and render folds in fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and their positions.

  2. step 02

    Establish the darkest areas of the background with a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures with mid-tone values, paying attention to the light source.

  4. step 04

    Start building up the highlights on the figures, focusing on the areas where light hits directly.

  5. step 05

    Gradually add details to the faces and clothing, using smaller brushes.

  6. step 06

    Refine the shadows and highlights to create a sense of depth and volume.

  7. step 07

    Add the final details, such as the cup and any small accents.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the overall mood.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red light

Mix skin tones by blending burnt sienna, yellow ochre, and titanium white. Use raw umber and ivory black for the darkest shadows. Add small amounts of cadmium red light to warm up the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·value studies

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Using too much paint and losing the sense of depth.
  • →Not paying attention to the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, burnt sienna, ivory black, yellow ochre, titanium white, cadmium red light)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next. Work in a well-ventilated area.

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