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home·artworks·St. Simon
St. Simon by Georges de la Tour

plate no. 0291

St. Simon

Georges de la Tour, 1620

oil, canvasTenebrismreligious paintingfigureportraitreligious figurebeardstaffclothing
some experience helpful

Recreating this painting will help students understand dramatic lighting and how to create form using value. It will also develop skills in portraiture and rendering textures like skin and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the staff.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figure's face, hands, and clothing using a limited palette.

  4. step 04

    Gradually build up the highlights and shadows, paying attention to the subtle transitions between values.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, using small brushes.

  6. step 06

    Add texture to the beard and hair using dry brush techniques.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and drama.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow light

Mix burnt umber and ivory black for the dark areas. Use raw sienna and titanium white for highlights, adding small amounts of yellow ochre for warmth. Use thin glazes of burnt umber to create shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·value study
  • ·portraiture

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using too much color and losing the tonal harmony.
  • →Not paying enough attention to the subtle transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a smooth surface for better blending. Consider using a toned canvas to help establish the initial values.

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related guides

oil painting for beginners →how to learn by studying the masters →
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