apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Wedding Feast at Cana
Wedding Feast at Cana by Jan Steen

plate no. 7358

Wedding Feast at Cana

Jan Steen, 1672

oil, panelBaroquereligious paintingfiguresarchitecturefeastgardenreligious scenedog
advanced study

Recreating this painting will help students develop skills in rendering complex scenes with many figures and understanding the use of light and shadow to create depth. Students will also learn to mix realistic skin tones and drapery colors.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, paying attention to the placement of figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and values.

  3. step 03

    Begin to refine the details of the figures, starting with the faces and hands.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights.

  5. step 05

    Add details to the architectural elements and foliage.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · ivory black · raw sienna

Mix skin tones using burnt umber, yellow ochre, cadmium red, and titanium white. Create shadows by adding ultramarine blue or ivory black to the skin tone mixture. Achieve the drapery colors by mixing the primary colors with varying amounts of white and umber.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering figures

common pitfalls

  • →getting lost in the details too early
  • →not establishing a strong value structure
  • →using colors that are too saturated
  • →ignoring the importance of edges
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne