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Marie Christine by Marcello Bacciarelli

plate no. 7817

Marie Christine

Marcello Bacciarelli, 1766

oilBaroqueportraitportraitfiguredresslacejewelryhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fabric textures. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the background with a dark, muted tone, blending the colors smoothly.

  3. step 03

    Block in the main areas of the skin, hair, and dress with their respective base colors.

  4. step 04

    Begin refining the skin tones, adding highlights and shadows to create form.

  5. step 05

    Work on the dress, paying attention to the folds and drapery, and use layering to build up the color intensity.

  6. step 06

    Add the details of the lace and jewelry, using small brushes and precise strokes.

  7. step 07

    Refine the facial features, focusing on the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · titanium white · cadmium red · burnt umber

secondary · ivory black · yellow ochre · ultramarine blue

Mix skin tones using titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Achieve the red of the dress by layering cadmium red with a touch of burnt umber for depth. Use ivory black and ultramarine blue to create the dark background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Lack of detail in the lace and jewelry
  • →Flat or lifeless rendering of the fabric
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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