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home·artworks·Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten by Abraham Storck

plate no. 2262

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck, 1676

oilBaroquemarinachurchwaterboatsbuildingsskyclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering architectural details and cloud formations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the church, buildings, and boats.

  2. step 02

    Establish the sky with broad strokes, blending blues, grays, and whites for the clouds.

  3. step 03

    Block in the dark values of the church and buildings, paying attention to their overall shapes.

  4. step 04

    Add the water, using horizontal strokes and varying tones to create depth and reflections.

  5. step 05

    Refine the details of the church and buildings, including windows, architectural elements, and textures.

  6. step 06

    Paint the boats and figures, using small brushes to capture their forms and details.

  7. step 07

    Add highlights and shadows to create dimension and contrast throughout the painting.

  8. step 08

    Glaze the painting to unify the colors and enhance the atmospheric effects.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix blues and grays with white for the sky; use burnt umber and black for the dark tones of the buildings; add yellow ochre and raw sienna to create warm highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·grisaille underpainting

common pitfalls

  • →Getting the proportions of the architecture wrong.
  • →Making the water too uniform and lacking depth.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a fine-grained canvas for smoother details. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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