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home·artworks·Itinerant Musicians
Itinerant Musicians by Jacob Ochtervelt

plate no. 3497

Itinerant Musicians

Jacob Ochtervelt, 1665

oilBaroquegenre paintingfiguresdoginteriorarchitecturelandscapechildren
experienced study

Recreating this painting will help students understand chiaroscuro and how to create depth using value. It also provides practice in rendering figures and drapery in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the dark background and overall value structure using thin washes of dark brown and black.

  3. step 03

    Block in the main areas of light on the figures, starting with the lightest areas and gradually adding mid-tones.

  4. step 04

    Begin refining the details of the faces, clothing, and dog, paying close attention to the subtle shifts in value and color.

  5. step 05

    Work on the architectural details, such as the tiled floor and the doorway, using perspective to create depth.

  6. step 06

    Add the landscape visible through the doorway, keeping it soft and atmospheric.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensionality of the figures and objects.

  8. step 08

    Add final details and glazes to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · raw sienna

Achieve the dark, rich tones by mixing burnt umber and ivory black. Use white to create highlights and lighter values. Mix cadmium red with burnt umber to create the red dress.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·atmospheric perspective

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle shifts in value and color within the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a canvas with a smooth surface for better blending. Consider using a toned ground to help establish the dark values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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