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home·artworks·Village barbershop
Village barbershop by Adriaen Brouwer

plate no. 9711

Village barbershop

Adriaen Brouwer, 1631

oil, woodBaroquegenre paintingfiguresinteriorroomtoolswindowshelves
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in a dimly lit interior and understanding how to create depth using atmospheric perspective and subtle value shifts.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main figures and objects, paying attention to proportions and placement.

  2. step 02

    Block in the large shapes with thin washes of color, focusing on the overall value structure.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights on the figures and objects.

  4. step 04

    Refine the details of the faces and clothing, paying attention to the textures and folds.

  5. step 05

    Add details to the background elements, such as the shelves, tools, and window.

  6. step 06

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · raw umber · burnt umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted tones by mixing umbers and blacks with small amounts of white. Use yellow ochre and cadmium red to create the warm tones of the skin and clothing. Add ultramarine blue to darken shadows and create cool tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned ground to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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