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Venice by William Logsdail

plate no. 3444

Venice

William Logsdail, 1881

oilRealismcityscapewaterbuildingscolumnscityscapepilingsreflections
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and creating depth through atmospheric perspective. It also provides practice in rendering architectural details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, pilings, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, water, and buildings, using thin washes.

  3. step 03

    Establish the value structure of the buildings and pilings, paying attention to light and shadow.

  4. step 04

    Add details to the architecture, such as the columns, arches, and windows, using small brushstrokes.

  5. step 05

    Create the reflections in the water by mirroring the colors and shapes of the objects above.

  6. step 06

    Refine the details and add highlights to create a sense of depth and realism.

  7. step 07

    Add texture to the water surface with broken brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious balance.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · cadmium red · raw umber

Mix various shades of blue and green for the water, using white to lighten the values. Create warm browns and grays for the buildings by mixing burnt sienna, raw umber, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to accurately capture the reflections in the water.
  • →Not establishing a strong value structure.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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