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home·artworks·Tul-lock-chísh-ko, Drinks the Juice of the Stone (Choctaw)
Tul-lock-chísh-ko, Drinks the Juice of the Stone (Choctaw) by George Catlin

plate no. 4760

Tul-lock-chísh-ko, Drinks the Juice of the Stone (Choctaw)

George Catlin, 1834

oilRealismportraitportraitnative americanfigurelacrosse sticksheadwearjewelry
some experience helpful

Recreating this painting will help students practice portraiture, including capturing likeness and rendering skin tones, as well as depicting details of clothing and accessories. Students will also learn to create a sense of depth and form through subtle value changes and brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, torso, and limbs.

  2. step 02

    Establish the background with a thin wash of light blue and beige.

  3. step 03

    Block in the main areas of color for the skin, clothing, and accessories.

  4. step 04

    Begin refining the facial features, paying attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the headwear, jewelry, and lacrosse sticks.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt sienna · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · ivory black

Mix skin tones using burnt sienna, yellow ochre, and titanium white. Use ultramarine blue and ivory black to create the dark blue of the skirt. Mix cadmium red with burnt sienna and white for the headwear.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Using colors that are too saturated or unnatural.
  • →Overworking the details and losing the overall impression.
  • →Failing to create a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-sized canvas for this project. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →how to learn by studying the masters →
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