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home·artworks·Through The Calm And Frosty Air
Through The Calm And Frosty Air by Joseph Farquharson

plate no. 0729

Through The Calm And Frosty Air

Joseph Farquharson

oilRealismlandscapetreessnowsheepfigurepathlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures, particularly the wool of the sheep and the snow-covered ground.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path and the placement of the trees and sheep.

  2. step 02

    Establish the horizon line and the light source in the background.

  3. step 03

    Block in the large areas of color: the sky, the snow, the trees, and the sheep.

  4. step 04

    Begin adding details to the trees, focusing on the branches and the texture of the bark.

  5. step 05

    Develop the snow texture using highlights and shadows to create depth.

  6. step 06

    Refine the shapes and details of the sheep, paying attention to the wool texture.

  7. step 07

    Add the figure and the dog in the background, keeping them simple and in proportion.

  8. step 08

    Add final details and highlights to enhance the overall realism and atmospheric perspective.

color palette

primary · titanium white · burnt umber · yellow ochre · ultramarine blue

secondary · cadmium yellow · alizarin crimson · raw sienna

Mix white with small amounts of blue and umber for the snow. Use yellow ochre and burnt umber for the trees, adding touches of crimson for warmth. Create the sky with a blend of white, yellow, and blue.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and distance.
  • →Making the sheep look too uniform and lacking individual character.
  • →Not paying enough attention to the light source and its effect on the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium can be used to thin the paint and speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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