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home·artworks·The Valley of the Loue in Stormy Weather
The Valley of the Loue in Stormy Weather by Gustave Courbet

plate no. 5904

The Valley of the Loue in Stormy Weather

Gustave Courbet, 1849

oil, canvasRealismlandscapelandscapeskycliffstreeshillsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a landscape through color and brushwork. It also provides practice in rendering various textures, from the smooth cliffs to the foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cliffs, hills, and the horizon line.

  2. step 02

    Establish the dark values of the sky using a thin wash of dark blue and gray.

  3. step 03

    Block in the general colors of the landscape, starting with the distant hills and working forward.

  4. step 04

    Develop the cliffs, paying attention to the subtle variations in color and texture.

  5. step 05

    Add details to the trees and foliage, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the foreground, adding details to the path and vegetation.

  7. step 07

    Add the figures in the foreground, keeping them simple and indistinct.

  8. step 08

    Adjust the overall values and colors to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix various shades of gray for the sky by combining ultramarine blue, burnt umber, and white. Achieve the greens of the landscape by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Use alizarin crimson to create muted reds and browns.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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