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home·artworks·The Temptation of St. Anthony
The Temptation of St. Anthony by David Teniers the Younger

plate no. 5938

The Temptation of St. Anthony

David Teniers the Younger, 1645

oil, woodBaroquereligious paintingfiguremonkdemonsskullcavecrucifix
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in a dimly lit environment and understanding complex compositions with multiple focal points. It also provides practice in creating a sense of depth and atmosphere through careful value control and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of key elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Begin refining the figures, paying attention to anatomical accuracy and facial expressions.

  5. step 05

    Add details to the still life elements, such as the skull, books, and crucifix.

  6. step 06

    Refine the lighting and shadows to create a dramatic effect.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the richness of the tones.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red light

Achieve the dark, muted tones by mixing burnt umber and ivory black. Use yellow ochre and titanium white to create highlights and lighter areas. Add small amounts of cadmium red light to warm up the shadows and create subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before beginning to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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