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home·artworks·The Sun Fast Sinks in the West
The Sun Fast Sinks in the West by Joseph Farquharson

plate no. 2415

The Sun Fast Sinks in the West

Joseph Farquharson

oilRealismlandscapeforesttreessheeppathsunsetlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and subtle color variations. It also provides practice in rendering realistic textures of trees and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path and tree placement.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the sky and distant background with light yellows and oranges.

  4. step 04

    Begin layering the trees, starting with the darkest values and gradually adding highlights.

  5. step 05

    Paint the path, using a mix of browns, grays, and yellows to create texture and depth.

  6. step 06

    Add the sheep, paying attention to their form and placement in perspective.

  7. step 07

    Refine details such as branches, leaves, and the texture of the sheep's wool.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white · sap green

secondary · cadmium yellow · ultramarine blue · burnt sienna

Achieve the warm glow of the sunset by mixing cadmium yellow with a touch of burnt sienna and titanium white. Create the greens by mixing sap green with yellow ochre and a touch of ultramarine blue for cooler tones.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in a less realistic effect.
  • →Ignoring the principles of atmospheric perspective, leading to a flat composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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