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home·artworks·The Smokers or The Peasants of Moerdijk
The Smokers or The Peasants of Moerdijk by Adriaen Brouwer

plate no. 1028

The Smokers or The Peasants of Moerdijk

Adriaen Brouwer, 1630

oil, woodBaroquegenre paintingfiguresinteriortablepipescattavern
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and capturing the textures of various materials using visible brushstrokes. It's also a good exercise in creating a sense of depth and atmosphere with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and objects, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin refining the figures, focusing on the shapes of the faces and the folds of the clothing.

  4. step 04

    Add details to the objects on the tables and in the background, such as the pipes, jugs, and cat.

  5. step 05

    Develop the textures of the walls and floor using broken brushstrokes and subtle color variations.

  6. step 06

    Pay attention to the light source and how it affects the forms of the figures and objects.

  7. step 07

    Add final highlights and shadows to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers to unify the colors and create a warm, aged effect.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · red ochre · Prussian blue · yellow ochre

Achieve the warm, earthy tones by mixing burnt umber and raw sienna. Use small amounts of Prussian blue to create the cooler tones in the shadows and clothing. Add white to create highlights and lighter values.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of value contrast.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·red ochre oil paint
  • ·Prussian blue oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a canvas with a smooth or slightly textured surface. Consider toning the canvas with a thin wash of burnt umber before beginning to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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