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home·artworks·The Shortening Winter's Day is near a Close
The Shortening Winter's Day is near a Close by Joseph Farquharson

plate no. 7852

The Shortening Winter's Day is near a Close

Joseph Farquharson, 1903

oilRealismanimal paintingsheepsnowtreessunsetfigurewinter
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and light, and in creating depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, trees, and sheep.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the sky with warm oranges and yellows, blending them softly.

  4. step 04

    Paint the distant trees with dark browns and blues, softening the edges to create atmospheric perspective.

  5. step 05

    Add the snow using white mixed with blues, purples, and yellows to capture the reflected light.

  6. step 06

    Paint the sheep, using short, broken brushstrokes to suggest their woolly texture.

  7. step 07

    Add details to the trees, fences, and figures, using a smaller brush.

  8. step 08

    Refine the highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · ultramarine blue · cadmium orange · alizarin crimson

Mix white with small amounts of blue, purple, and yellow to create the cool and warm tones in the snow. Use burnt umber and ultramarine blue for the dark tones of the trees.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·color temperature

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Using too much pure white, which can make the snow look unnatural.
  • →Ignoring the subtle color variations in the snow and shadows.
  • →Making the sheep too uniform in color and shape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium orange oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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