
plate no. 7852
Joseph Farquharson, 1903
Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and light, and in creating depth through atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the horizon line, trees, and sheep.
Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.
Block in the sky with warm oranges and yellows, blending them softly.
Paint the distant trees with dark browns and blues, softening the edges to create atmospheric perspective.
Add the snow using white mixed with blues, purples, and yellows to capture the reflected light.
Paint the sheep, using short, broken brushstrokes to suggest their woolly texture.
Add details to the trees, fences, and figures, using a smaller brush.
Refine the highlights and shadows to create a sense of depth and realism.
color palette
primary · titanium white · burnt umber · yellow ochre
secondary · ultramarine blue · cadmium orange · alizarin crimson
Mix white with small amounts of blue, purple, and yellow to create the cool and warm tones in the snow. Use burnt umber and ultramarine blue for the dark tones of the trees.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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