apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Repentant Peter
The Repentant Peter by Hendrick Terbrugghen

plate no. 7272

The Repentant Peter

Hendrick Terbrugghen

oilBaroquereligious paintingfigureportraitbeardhandskeysreligious
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering textures like skin and fabric. It also provides practice in creating a focal point through light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and proportions.

  2. step 02

    Establish the darkest areas of the background and clothing with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light on the face, beard, hands, and drapery with a mid-tone.

  4. step 04

    Gradually build up the highlights and shadows using thin layers of paint, blending carefully.

  5. step 05

    Pay close attention to the subtle color variations in the skin tones, using warm and cool colors to create depth.

  6. step 06

    Refine the details of the face, hands, and keys, adding texture and definition.

  7. step 07

    Soften edges and blend transitions to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a sense of drama.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow light · raw sienna

Achieve skin tones by mixing burnt sienna, raw umber, and titanium white, adjusting the ratios to create warm and cool variations. Use ivory black and raw umber for the dark areas, and yellow ochre and cadmium yellow light to create the golden tones in the drapery.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a strong value contrast.
  • →Using too much paint and losing the subtle color variations.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: raw umber, burnt sienna, ivory black, titanium white, yellow ochre
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne