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home·artworks·The Orange Seller
The Orange Seller by Joseph Farquharson

plate no. 2279

The Orange Seller

Joseph Farquharson, 1893

oilRealismcityscapearchitecturefigurestreetarchesmarketoranges
some experience helpful

Recreating this painting will help students develop skills in perspective, value studies, and rendering textures of stone and fabric. It also provides practice in capturing the effects of light and shadow in an architectural setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the arches and buildings.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the local colors of the buildings, figures, and oranges, keeping values consistent.

  4. step 04

    Develop the textures of the stone walls using dry brush techniques and varied brushstrokes.

  5. step 05

    Refine the details of the figures, paying attention to the folds of the clothing and facial features.

  6. step 06

    Add highlights to the oranges and other reflective surfaces to create depth.

  7. step 07

    Adjust the overall values and colors to create a sense of atmosphere and depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · titanium white · cadmium orange · raw sienna

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and ultramarine blue. Use titanium white to lighten these colors and create highlights. Add small amounts of cadmium orange to create warmer tones.

techniques

  • ·dry brush
  • ·value study
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect perspective of the arches and buildings.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not reflecting the muted tones of the scene.
  • →Failing to capture the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use a canvas with a medium texture to facilitate dry brush techniques. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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