
plate no. 2279
Joseph Farquharson, 1893
Recreating this painting will help students develop skills in perspective, value studies, and rendering textures of stone and fabric. It also provides practice in capturing the effects of light and shadow in an architectural setting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the perspective of the arches and buildings.
Establish the main light and shadow areas with a thin wash of burnt umber.
Block in the local colors of the buildings, figures, and oranges, keeping values consistent.
Develop the textures of the stone walls using dry brush techniques and varied brushstrokes.
Refine the details of the figures, paying attention to the folds of the clothing and facial features.
Add highlights to the oranges and other reflective surfaces to create depth.
Adjust the overall values and colors to create a sense of atmosphere and depth.
Add final details and highlights to complete the painting.
color palette
primary · burnt umber · yellow ochre · ultramarine blue
secondary · titanium white · cadmium orange · raw sienna
Mix various shades of brown and gray by combining burnt umber, yellow ochre, and ultramarine blue. Use titanium white to lighten these colors and create highlights. Add small amounts of cadmium orange to create warmer tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to facilitate dry brush techniques. Consider using a toned canvas to establish a base color.
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