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home·artworks·The master of drinking
The master of drinking by Adriaen Brouwer

plate no. 8720

The master of drinking

Adriaen Brouwer

oil, panelBaroquegenre paintingfiguresinteriortaverndrinkingtabledog
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and using a limited palette to create a sense of atmosphere. It also provides practice in capturing realistic textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and key elements.

  2. step 02

    Establish the overall warm, dark tone of the painting with a thin wash of burnt umber.

  3. step 03

    Block in the main shapes and colors of the figures and objects, paying attention to their relative values.

  4. step 04

    Begin layering and blending colors to create depth and form, focusing on the light source.

  5. step 05

    Add details to the faces and clothing, using smaller brushes and finer strokes.

  6. step 06

    Create texture by applying paint with visible brushstrokes, especially in the background and on the wooden surfaces.

  7. step 07

    Refine the highlights and shadows to enhance the sense of volume and realism.

  8. step 08

    Add final details and glazes to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use ultramarine blue to create the cool tones in the shadows and clothing. Mix yellow ochre and cadmium red light for the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the loose, painterly quality.
  • →Creating colors that are too bright or saturated.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting lost in the details before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a canvas with a smooth texture to allow for easy blending. Consider using a toned canvas to establish the overall warm tone of the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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