apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Liberation of Peter
The Liberation of Peter by Hendrick Terbrugghen

plate no. 1910

The Liberation of Peter

Hendrick Terbrugghen

oilBaroquereligious paintingfigureangelreligious scenechainsbearddramatic lighting
experienced study

Recreating this painting will help students develop skills in portraiture, figure painting, and rendering dramatic lighting effects. Students will also learn to mix subtle skin tones and create a sense of depth through value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of highest contrast.

  4. step 04

    Develop the skin tones, using a limited palette and subtle blending techniques.

  5. step 05

    Add details to the faces, paying close attention to the eyes and mouth.

  6. step 06

    Render the drapery and other textures, using a variety of brushstrokes.

  7. step 07

    Paint the chains and other metallic elements, using highlights and shadows to create a sense of realism.

  8. step 08

    Add final glazes and details to refine the painting.

color palette

primary · ivory black · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber

Mix skin tones by combining white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create deep shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·figure drawing
  • ·blending

common pitfalls

  • →Incorrect proportions of the figures
  • →Muddy or overworked skin tones
  • →Inaccurate rendering of the light source
  • →Overly harsh or abrupt transitions between values

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne