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home·artworks·The Frigate 'Amsterdam' at Den Helder
The Frigate 'Amsterdam' at Den Helder by Simon de Vlieger

plate no. 9866

The Frigate 'Amsterdam' at Den Helder

Simon de Vlieger, 1650

oil, canvasBaroquemarinashipsseaskycloudsfiguresboats
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex cloud formations and ship details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of the ships and figures.

  2. step 02

    Establish the sky with broad strokes, blending light blues, grays, and whites to create cloud formations.

  3. step 03

    Block in the sea with varying shades of brown and gray, indicating the direction of the waves.

  4. step 04

    Add the larger ships, paying attention to their proportions and details like sails and rigging.

  5. step 05

    Paint the smaller boats and figures in the foreground, adding details to their clothing and activities.

  6. step 06

    Create reflections of the ships and figures in the water, using slightly darker and blurred versions of the colors.

  7. step 07

    Refine the details of the clouds, ships, and figures, adding highlights and shadows to create depth.

  8. step 08

    Add final touches, such as birds in the sky and subtle variations in the water's surface.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of gray by combining white with small amounts of black, blue, and brown. Create the sea colors by blending browns, blues, and greens with white to achieve muted tones.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the reflections too sharp or defined.
  • →Using colors that are too saturated, resulting in an unrealistic appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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