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The friar cook by Cesare Tallone

plate no. 3869

The friar cook

Cesare Tallone, 1896

oil, canvasRealismportraitfigureportraitfishtablekitchenstill life
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and skin tones, as well as rendering realistic textures and lighting in a still life setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and still life elements.

  2. step 02

    Establish the background with broad, loose strokes, focusing on the overall value and color temperature.

  3. step 03

    Block in the main shapes of the figure, paying attention to the light and shadow patterns.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the apron and clothing, capturing the folds and textures.

  6. step 06

    Paint the still life elements, paying attention to the reflections and highlights on the fish and bowl.

  7. step 07

    Refine the details and add finishing touches, such as highlights and subtle color variations.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations in the skin tones and background.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall impression.
  • →Failing to capture the subtle value changes in the skin tones.
  • →Ignoring the importance of the background in creating depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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