
plate no. 1444
Hendrick Terbrugghen, 1624
This painting is great for learning chiaroscuro and figure painting. Students will practice blending skin tones and creating dramatic lighting effects.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and their gestures.
Block in the main areas of color, starting with the darkest shadows.
Begin layering in mid-tones and highlights, paying attention to the direction of the light source.
Refine the details of the faces and hands, using small brushes and subtle color variations.
Add the details of the clothing and background, using loose brushstrokes.
Glaze thin layers of color to unify the painting and create depth.
Add final highlights and shadows to enhance the dramatic effect.
Varnish the painting to protect it and enhance the colors.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · cadmium red light · yellow ochre · ultramarine blue
Mix darks by combining ivory black and raw umber. Create skin tones by mixing titanium white, burnt sienna, and a touch of cadmium red light. Use yellow ochre and ultramarine blue to create muted greens.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.
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