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home·artworks·The Crucifixion With The Virgin And St. John
The Crucifixion With The Virgin And St. John by Hendrick Terbrugghen

plate no. 3406

The Crucifixion With The Virgin And St. John

Hendrick Terbrugghen, 1625

oil, canvasBaroquereligious paintingcrucifixionfiguresreligious scenecrossskulldrapery
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating dramatic lighting effects. It also provides practice in depicting complex drapery and conveying emotion through facial expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and the cross.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the skin tones, paying attention to the subtle variations in color and value.

  4. step 04

    Develop the drapery, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Refine the details of the faces, hands, and feet.

  6. step 06

    Add the blood and the skull details.

  7. step 07

    Adjust the overall lighting and contrast to create a dramatic effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red

secondary · yellow ochre · ivory black · ultramarine blue

Achieve skin tones by mixing white, umber, and a touch of red and yellow. Create shadows by adding black or blue to the skin tone mixture. Use glazes of red and umber to create the warm, glowing effect.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or muddy colors
  • →Lack of attention to detail in the faces and hands
  • →Ignoring the subtle variations in skin tone

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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