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home·artworks·The Convent Choir
The Convent Choir by Jehan Georges Vibert

plate no. 7273

The Convent Choir

Jehan Georges Vibert, 1865

oil, panelRealismgenre paintingnunschoirchurch interiorfiguresmusicreligious
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in complex lighting and understanding how to create depth using subtle color variations and value shifts.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the background tones with thin washes of color, paying attention to the light source and its effect on the walls and floor.

  3. step 03

    Block in the basic shapes of the nuns' habits and faces, using a limited palette of browns, blacks, and whites.

  4. step 04

    Develop the details of the faces, focusing on capturing the subtle expressions and individual features.

  5. step 05

    Add highlights and shadows to the habits to create a sense of volume and depth.

  6. step 06

    Paint the details of the organ and other objects in the scene, paying attention to their textures and materials.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a harmonious and balanced image.

  8. step 08

    Add final details and glazes to enhance the realism and depth of the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium red light

Mix various shades of brown and black by combining raw umber, ivory black, and a touch of burnt sienna. Use titanium white to create highlights and lighter tones, and yellow ochre to add warmth to the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or flat lighting
  • →Lack of detail in the faces
  • →Muddy or dull color mixtures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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