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home·artworks·The Archduke Leopold Wilhelm in his Picture Gallery in Brussels
The Archduke Leopold Wilhelm in his Picture Gallery in Brussels by David Teniers the Younger

plate no. 2707

The Archduke Leopold Wilhelm in his Picture Gallery in Brussels

David Teniers the Younger, 1647

oil, copperBaroquegenre paintinggallerypaintingsfiguresportraitsinteriordogs
advanced study

Recreating this painting would develop skills in perspective, rendering textures of various materials (paintings, frames, clothing), and creating depth through layering and atmospheric perspective. Students would also learn to manage a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the room.

  2. step 02

    Block in the main shapes of the walls, floor, and figures, paying attention to their relative sizes and positions.

  3. step 03

    Roughly sketch the placement of the paintings on the walls, focusing on their angles and spacing.

  4. step 04

    Start adding details to the figures, including their clothing and facial features.

  5. step 05

    Begin working on the individual paintings, starting with the larger ones and gradually moving to the smaller ones.

  6. step 06

    Pay attention to the lighting and shadows in the room, and use them to create depth and dimension.

  7. step 07

    Add final details such as the dogs, the furniture, and the textures of the paintings and frames.

  8. step 08

    Refine the colors and values to create a sense of realism and atmosphere.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium red light · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use glazes to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering textures
  • ·linear perspective

common pitfalls

  • →getting lost in the details too early
  • →incorrect perspective
  • →inconsistent lighting
  • →overworking the painting
  • →not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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