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home·artworks·The Apostle Simon
The Apostle Simon by Anthony van Dyck

plate no. 2906

The Apostle Simon

Anthony van Dyck

oilBaroquereligious paintingportraitfiguremanbeardreligious figuredrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow to create form. It also provides practice in blending and glazing techniques to achieve subtle color transitions.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background with a thin wash of muted colors, leaving the figure area blank.

  3. step 03

    Block in the main areas of light and shadow on the face, hair, and drapery using a limited palette of earth tones and white.

  4. step 04

    Refine the facial features, paying close attention to the subtle transitions of light and shadow to create a realistic likeness.

  5. step 05

    Develop the hair and beard, using small brushstrokes to suggest texture and volume.

  6. step 06

    Add the red drapery, focusing on the folds and highlights to create a sense of depth.

  7. step 07

    Glaze thin layers of color over the entire painting to unify the composition and enhance the color harmony.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Achieve the skin tones by mixing burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red for warmth. Create shadows by adding ivory black to the skin tone mixture. Mix red with burnt umber for darker shades of the drapery.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle transitions of light and shadow.
  • →Using too much color too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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