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home·artworks·The Adoration of the Magi
The Adoration of the Magi by Hendrick Terbrugghen

plate no. 8042

The Adoration of the Magi

Hendrick Terbrugghen, 1619

oil, canvasBaroquereligious paintingfiguresreligious scenebabyrobeslandscapearchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery depiction, and creating a complex composition with multiple figures. It also provides practice in rendering skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the figures and background.

  3. step 03

    Develop the drapery folds and details in the robes, using light and shadow.

  4. step 04

    Refine the facial features and skin tones of each figure.

  5. step 05

    Add details to the background landscape and architecture.

  6. step 06

    Pay attention to the light source and how it affects the forms.

  7. step 07

    Glaze layers to build depth and richness in the colors.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · red · blue · yellow ochre · raw umber

secondary · white · black · burnt sienna · gold

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create variations in the drapery by adding blue or black to the primary colors.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study
  • ·portraiture

common pitfalls

  • →getting overwhelmed by the complexity of the composition
  • →flattening the forms by not paying attention to light and shadow
  • →inaccurate proportions of the figures
  • →muddying the colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, yellow ochre, raw umber, white, black, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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