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home·artworks·Supper at Emmaus
Supper at Emmaus by Hendrick Terbrugghen

plate no. 8096

Supper at Emmaus

Hendrick Terbrugghen, 1621

oil, canvasTenebrismreligious paintingfigurestablebreadclothingreligious scenehands
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and rendering realistic skin tones and textures, particularly in the hands and faces. It also provides practice in composing a scene with multiple figures and creating a focal point.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and table.

  2. step 02

    Establish the dark background using a thin wash of burnt umber and black.

  3. step 03

    Block in the main areas of color for each figure's clothing and skin tones.

  4. step 04

    Begin building up the light areas using highlights, paying close attention to the direction and intensity of the light source.

  5. step 05

    Refine the details of the faces and hands, focusing on capturing the expressions and gestures.

  6. step 06

    Add details to the table and bread, using highlights and shadows to create form.

  7. step 07

    Glaze thin layers of color to adjust the overall tone and create depth.

  8. step 08

    Add final highlights and details to enhance the realism and drama of the scene.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · ivory black · yellow ochre · raw sienna

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Use burnt umber and ivory black for the dark clothing and background, adding small amounts of other colors to create subtle variations.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the subtle gradations of tone.
  • →Ignoring the importance of accurate proportions and anatomy.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

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oil painting for beginners →how to learn by studying the masters →
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