
plate no. 8096
Hendrick Terbrugghen, 1621
Recreating this painting will help students develop skills in chiaroscuro and rendering realistic skin tones and textures, particularly in the hands and faces. It also provides practice in composing a scene with multiple figures and creating a focal point.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement and proportions of the figures and table.
Establish the dark background using a thin wash of burnt umber and black.
Block in the main areas of color for each figure's clothing and skin tones.
Begin building up the light areas using highlights, paying close attention to the direction and intensity of the light source.
Refine the details of the faces and hands, focusing on capturing the expressions and gestures.
Add details to the table and bread, using highlights and shadows to create form.
Glaze thin layers of color to adjust the overall tone and create depth.
Add final highlights and details to enhance the realism and drama of the scene.
color palette
primary · burnt umber · titanium white · cadmium red
secondary · ivory black · yellow ochre · raw sienna
Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Use burnt umber and ivory black for the dark clothing and background, adding small amounts of other colors to create subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

St. Simon
Georges de la Tour

St. Bartholomew
Jusepe de Ribera

Heraclitus
Hendrick Terbrugghen

The Calling of St. Matthew
Hendrick Terbrugghen

The Triangle Player
Georges de la Tour

Glowers in a sculpted vase on a stone plinth
Mario Nuzzi

St. Jerome
Jusepe de Ribera

A Mother Entrusting Her Sons to Christ
Mattia Preti