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Summer by Pasquale Celommi

plate no. 5941

Summer

Pasquale Celommi, 1901

oil, canvasRealismgenre paintingfigurelandscapefieldtreesroadsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and realism. It also provides practice in depicting figures within a landscape and capturing the effects of light on different surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the road, the trees, the field, and the distant mountains.

  2. step 02

    Establish the sky with a thin wash of light blue, blending it seamlessly towards the horizon.

  3. step 03

    Block in the basic colors of the landscape: ochre and yellow for the field, muted greens and browns for the trees, and a sandy tone for the road.

  4. step 04

    Start defining the figure, paying attention to the light and shadow on her clothing and the hay on her head.

  5. step 05

    Add details to the trees, using small brushstrokes to create the texture of the leaves and branches.

  6. step 06

    Develop the texture of the field with varied brushstrokes and subtle color variations.

  7. step 07

    Refine the details of the road, adding shadows and variations in tone to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · cadmium yellow light · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes for the sky and distant areas, gradually building up thicker layers for the foreground.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, losing the subtle atmospheric effect.
  • →Neglecting the importance of value contrast in creating depth.
  • →Failing to blend colors smoothly, resulting in a choppy appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (yellow ochre, raw umber, titanium white, ultramarine blue, burnt sienna)
  • ·round brushes (#2, #4, #6)
  • ·flat brush (#8)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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