apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study for Landscape with Waterfall
Study for Landscape with Waterfall by Gustave Courbet

plate no. 1266

Study for Landscape with Waterfall

Gustave Courbet, 1877

oil, canvasRealismlandscapewaterfalltreesrocksmountainskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in depicting the movement of water over rocks. It also encourages observation of natural light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, mountain, and trees.

  2. step 02

    Establish the sky with light blue and white, blending smoothly.

  3. step 03

    Block in the dark areas of the trees and mountain with a mix of dark greens and browns.

  4. step 04

    Add the base colors for the rocks and water, using blues, grays, and browns.

  5. step 05

    Begin layering lighter colors on the mountain to create highlights and texture.

  6. step 06

    Develop the foliage with various shades of green, using short, broken brushstrokes.

  7. step 07

    Add details to the waterfall, using white and light blue to indicate movement and reflections.

  8. step 08

    Refine the foreground rocks and water, paying attention to the interplay of light and shadow.

color palette

primary · Prussian Blue · Burnt Umber · Titanium White · Sap Green

secondary · Yellow Ochre · Raw Sienna · Cadmium Yellow Light · Ivory Black

Mix greens by combining Prussian Blue, Sap Green, and Yellow Ochre. Achieve rock colors by blending Burnt Umber, Raw Sienna, and Titanium White. Vary the water's color by mixing blues, greens, and white.

techniques

  • ·Layering
  • ·Dry brushing
  • ·Scumbling
  • ·Wet-on-dry blending
  • ·Impasto

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Failing to create enough contrast between light and shadow.
  • →Ignoring the subtle color variations in the rocks and foliage.
  • →Not capturing the movement of the water.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Easel

Use a medium-grit canvas for better texture. Consider toning the canvas with a thin wash of Burnt Umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy