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home·artworks·St Mark's Square, Venice
St Mark's Square, Venice by William Logsdail

plate no. 8705

St Mark's Square, Venice

William Logsdail, 1883

oilRealismgenre paintingfiguresarchitecturecityscapeplazabuildingscrowd
experienced study

Recreating this painting will help students develop skills in depicting figures in perspective and rendering architectural details with subtle color variations. It also encourages careful observation of light and shadow to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the buildings and plaza.

  2. step 02

    Block in the major shapes of the buildings and figures with thin washes of color, focusing on the general tones.

  3. step 03

    Gradually build up the details of the architecture, adding highlights and shadows to create depth and dimension.

  4. step 04

    Start adding details to the figures, paying attention to their proportions and clothing.

  5. step 05

    Refine the details of the foreground figures, adding more precise details to their faces and clothing.

  6. step 06

    Work on the background figures, simplifying details and using softer edges to create a sense of distance.

  7. step 07

    Add final highlights and shadows to enhance the overall sense of light and atmosphere.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of harmony.

color palette

primary · raw umber · burnt sienna · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red · ivory black

Achieve the muted tones by mixing earth tones with small amounts of blues and reds. Use white to lighten values and create subtle color variations.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and perspective.
  • →Using colors that are too saturated and bright.
  • →Overworking the details and losing the overall sense of harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium canvas texture will help create a sense of depth.

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