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home·artworks·Sophus Schandorf
Sophus Schandorf by Peder Severin Kroyer

plate no. 4477

Sophus Schandorf

Peder Severin Kroyer, 1895

oilRealismportraitportraitfiguremaninteriorbookstable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form and depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, table, and background elements.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color, focusing on the background, clothing, and skin tones.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow to create a sense of depth and volume.

  4. step 04

    Develop the details of the clothing, books, and other objects, using smaller brushes to add texture and definition.

  5. step 05

    Work on the background, adding subtle variations in color and value to create a sense of atmosphere.

  6. step 06

    Refine the highlights and shadows throughout the painting to enhance the realism and create a focal point.

  7. step 07

    Add final details, such as the highlights in the eyes and the texture of the beard.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to ensure a balanced and harmonious image.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · cadmium yellow · alizarin crimson · viridian

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, adding small amounts of alizarin crimson for warmth and ivory black for shadows. Use yellow ochre and cadmium yellow for highlights on the lamp and books.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in color and value that create realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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