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home·artworks·Smallholders Playing Cards
Smallholders Playing Cards by Adriaen Brouwer

plate no. 0771

Smallholders Playing Cards

Adriaen Brouwer, 1635

oil, woodBaroquegenre paintingfiguresinteriortaverncardsbarrelfight
experienced study

Recreating this painting will help students develop skills in depicting figures in dynamic poses and creating a sense of depth and atmosphere using a limited color palette. It also provides practice in capturing realistic textures and details in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the main color areas for each figure and object, using a limited palette of earth tones and muted colors.

  4. step 04

    Refine the details of the figures, focusing on facial expressions, clothing folds, and hand gestures.

  5. step 05

    Add highlights and shadows to create a sense of form and volume.

  6. step 06

    Develop the background and surrounding environment, using subtle variations in color and value to create depth.

  7. step 07

    Add final details, such as the cards, pottery, and other small objects.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · Prussian blue · Venetian red

Achieve the muted tones by mixing earth colors with black and white. Use small amounts of blue or red to create subtle color variations in the shadows and highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A toned canvas can help to establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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