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home·artworks·Sinto Temple in Nikko
Sinto Temple in Nikko by Vasily Vereshchagin

plate no. 9365

Sinto Temple in Nikko

Vasily Vereshchagin, 1904

oil, canvasRealismcityscapetemplearchitecturefiguresdoorfoliagecityscape
some experience helpful

Recreating this painting will help students develop skills in rendering architectural details with loose brushwork and capturing the interplay of light and shadow on complex surfaces. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective and placement of the temple structure and figures.

  2. step 02

    Establish the main color blocks: red for the door, off-white for the columns, and muted greens and browns for the surrounding foliage and ground.

  3. step 03

    Apply the red base color to the door, then add highlights and shadows to create depth and dimension.

  4. step 04

    Use short, broken brushstrokes to build up the texture and details of the columns, varying the off-white with hints of yellow, gray, and brown.

  5. step 05

    Paint the foliage with a mix of greens, browns, and reds, using loose brushstrokes to suggest the leaves and flowers.

  6. step 06

    Add the figures, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details of the architecture, such as the roof and railings, using a smaller brush.

  8. step 08

    Add final highlights and shadows to create a sense of depth and atmosphere.

color palette

primary · red · white · green · brown

secondary · yellow · gray · pink

Achieve the off-white of the columns by mixing white with small amounts of yellow ochre, raw umber, and gray. Muted greens can be created by mixing green with brown and a touch of red.

techniques

  • ·broken brushstrokes
  • ·color layering
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →overworking details
  • →flattening the perspective
  • →using too much pure color
  • →ignoring the subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, white, green, brown, yellow ochre, raw umber, gray)
  • ·assorted brushes (small round, medium flat)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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