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home·artworks·Shir Dor madrasah in Registan Square in Samarkand
Shir Dor madrasah in Registan Square in Samarkand by Vasily Vereshchagin

plate no. 9174

Shir Dor madrasah in Registan Square in Samarkand

Vasily Vereshchagin, 1870

oilRealismcityscapearchitecturebuildingcityscapefiguresskymarket
experienced study

Recreating this painting will help students develop skills in perspective, architectural rendering, and creating atmospheric depth through subtle color variations. The detailed patterns also offer practice in precise brushwork and controlled application of paint.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural shapes and the horizon line, paying attention to perspective.

  2. step 02

    Establish the basic color blocks for the sky, building facades, and ground.

  3. step 03

    Begin adding details to the architecture, focusing on the intricate patterns and shadows.

  4. step 04

    Develop the atmospheric perspective by softening the colors and details of distant elements.

  5. step 05

    Add figures and market details to the foreground, keeping them in proportion to the architecture.

  6. step 06

    Refine the light and shadow, adding highlights and deepening shadows to create depth.

  7. step 07

    Add final details such as birds in the sky and subtle variations in the ground texture.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and detail.

color palette

primary · ochre · ultramarine blue · burnt umber · raw sienna

secondary · cadmium red · ivory black · titanium white

Achieve the building's warm tones by mixing ochre, burnt umber, and a touch of red. Create the sky by blending ultramarine blue with white, and use black and umber for shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·detailed rendering

common pitfalls

  • →Getting the perspective wrong, leading to a distorted image.
  • →Overworking the details, resulting in a flat and lifeless painting.
  • →Failing to create atmospheric depth, making the painting appear two-dimensional.
  • →Inaccurate color mixing, resulting in unnatural-looking tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ochre, ultramarine blue, burnt umber, raw sienna, cadmium red, ivory black, titanium white)
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 6, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Easel
  • ·Detail brush

Use high-quality oil paints for best results. Pre-toned canvas with a light ochre wash can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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