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Sheep by Joseph Farquharson

plate no. 9740

Sheep

Joseph Farquharson

oilRealismlandscapelandscapesnowsheeptreesskyfield
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and atmospheric perspective, as well as layering techniques for creating depth and texture in the trees and foreground.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the major elements (field, trees, sheep).

  2. step 02

    Block in the sky with a gradient of light pink and pale yellow, blending smoothly.

  3. step 03

    Establish the overall tones of the snow-covered field, using cool whites and grays, and indicating the shadows.

  4. step 04

    Paint the distant hills with muted colors, creating atmospheric perspective.

  5. step 05

    Begin adding details to the trees, using thin, varied brushstrokes to capture the branches and textures.

  6. step 06

    Paint the stone wall in the foreground, paying attention to the texture and the snow covering it.

  7. step 07

    Add the sheep, using simple shapes and soft edges to blend them into the landscape.

  8. step 08

    Refine the details and add highlights to create depth and realism.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · burnt sienna · yellow ochre · cadmium red light

Mix white with small amounts of blue and umber for cool snow shadows. Use burnt sienna and yellow ochre for the warm tones in the sky and foreground. Add a touch of red to the umber for the tree bark.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·soft blending
  • ·scumbling

common pitfalls

  • →Overworking the snow, resulting in a flat, lifeless appearance.
  • →Using too much pure white, which can make the painting look stark.
  • →Ignoring the subtle color variations in the snow and sky.
  • →Failing to create depth and atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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