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Self-portrait by Ivan Kramskoy

plate no. 3604

Self-portrait

Ivan Kramskoy, 1867

oilRealismself-portraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and understanding light and shadow on the face. It also provides practice in mixing subtle skin tones and rendering textures like hair and beard.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of light and shadow on the face, hair, and clothing using simplified values.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the hair and beard, using varied brushstrokes to suggest texture and volume.

  6. step 06

    Add highlights and shadows to create depth and dimension in the clothing and background.

  7. step 07

    Refine the details and edges, softening or sharpening them as needed to create a sense of realism.

  8. step 08

    Add final glazes to unify the colors and enhance the overall tonal harmony.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium yellow · alizarin crimson

Mix skin tones by combining white, raw sienna, burnt umber, and small amounts of red and yellow. Use black and umber for shadows, and white with a touch of yellow for highlights.

techniques

  • ·portrait drawing
  • ·value study
  • ·color mixing
  • ·blending
  • ·glazing

common pitfalls

  • →Inaccurate proportions
  • →Overly harsh or muddy colors
  • →Lack of attention to detail in the facial features
  • →Ignoring the subtle variations in skin tone

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, burnt umber, raw sienna, titanium white, cadmium yellow, alizarin crimson)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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