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Self-portrait by Ferdinand Bol

plate no. 8987

Self-portrait

Ferdinand Bol, 1669

canvas, oilBaroqueself-portraitportraitfiguredraperycolumnstatuehair
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting complex drapery. It also provides practice in creating depth through value and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, statue, and background elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Begin blocking in the main colors of the background, focusing on the subtle gradations of light and shadow.

  4. step 04

    Start developing the skin tones of the face and hands, paying close attention to the highlights and shadows.

  5. step 05

    Work on the drapery, carefully observing the folds and highlights to create a sense of volume and texture.

  6. step 06

    Paint the statue, focusing on its form and the way light interacts with its surface.

  7. step 07

    Add details to the hair, using small brushstrokes to create texture and movement.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and balanced image.

color palette

primary · burnt umber · titanium white · cadmium red · yellow ochre

secondary · ivory black · ultramarine blue · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the drapery colors by blending red with umber and black for shadows, and adding yellow ochre and white for highlights. Use ultramarine blue and burnt umber to create neutral darks.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Oversimplifying the skin tones
  • →Failing to capture the subtle gradations of light and shadow
  • →Ignoring the texture of the drapery

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a canvas with a smooth surface to facilitate blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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