
plate no. 8784
Anthony van Dyck, 1623
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in glazing and layering to achieve depth and luminosity.
technical profile
approach — 8 steps
Create a light sketch of the figure's pose and proportions on the canvas.
Block in the main shapes and values with thin washes of color.
Start building up the skin tones with layers of subtle color variations.
Define the features of the face, paying attention to light and shadow.
Work on the clothing, focusing on the folds and highlights to create a sense of volume.
Refine the background and add details to the column.
Glaze over the painting to unify the colors and add depth.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · cadmium red light · yellow ochre · ultramarine blue
Mix skin tones by blending white, yellow ochre, and a touch of red. Achieve the darks in the clothing by mixing black, umber, and a hint of blue. Use glazes of burnt sienna to warm up the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the values.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne