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home·artworks·See-non-ty-a, an Iowa Medicine Man
See-non-ty-a, an Iowa Medicine Man by George Catlin

plate no. 8312

See-non-ty-a, an Iowa Medicine Man

George Catlin, 1845

oilRealismportraitportraitmanNative Americanheaddressjewelryclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting textures and details in clothing and accessories.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and headdress.

  2. step 02

    Establish the background color with a thin wash of muted green and gray.

  3. step 03

    Block in the main areas of color for the skin, headdress, and clothing.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in skin tone.

  5. step 05

    Add details to the headdress, jewelry, and clothing, using thin lines and small brushstrokes.

  6. step 06

    Create depth by layering colors and adding highlights and shadows.

  7. step 07

    Soften edges and blend colors to create a smooth, realistic effect.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · yellow ochre · payne's gray · sap green

Achieve skin tones by mixing burnt sienna, raw umber, cadmium red, and titanium white. Use payne's gray and white for cooler shadows. Mix greens with yellow ochre and payne's gray.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·glazing
  • ·blending
  • ·rendering textures

common pitfalls

  • →Incorrect proportions in the initial sketch
  • →Overly harsh or muddy skin tones
  • →Lack of attention to detail in the accessories
  • →Flat or lifeless rendering of the face

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →how to learn by studying the masters →
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