apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Samarkand
Samarkand by Vasily Vereshchagin

plate no. 6685

Samarkand

Vasily Vereshchagin, 1870

oilRealismcityscapearchitecturecityscapefiguresmarketbuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing light and shadow in a complex architectural setting. It also provides practice in painting figures in a crowd.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural shapes and the horizon line, paying attention to proportions.

  2. step 02

    Block in the sky with a thin wash of blue, gradually adding subtle variations in tone.

  3. step 03

    Establish the basic values of the building, focusing on the light and shadow areas.

  4. step 04

    Start adding details to the building, including the intricate patterns and architectural features.

  5. step 05

    Block in the figures in the foreground, using simple shapes and colors.

  6. step 06

    Refine the figures, adding details and variations in color to create a sense of depth.

  7. step 07

    Paint the shadows in the foreground, using a dark, neutral color.

  8. step 08

    Add final details and highlights to the entire painting, paying attention to the overall balance and harmony.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix various shades of beige and off-white for the building using white, raw umber, and a touch of yellow ochre. Create the sky by mixing ultramarine blue with white, adding a touch of raw umber to dull the color.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·blocking in
  • ·layering

common pitfalls

  • →Getting the proportions of the building wrong.
  • →Making the colors too saturated.
  • →Overworking the details.
  • →Ignoring the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy