apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Jerome
Saint Jerome by Hendrick Terbrugghen

plate no. 0687

Saint Jerome

Hendrick Terbrugghen

oilBaroquereligious paintingfigureskullbooktablerobebeard
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to create depth using subtle value changes. It also provides practice in rendering realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figure, skull, and book.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the figure, skull, and book with mid-tone values.

  4. step 04

    Begin to build up the highlights and shadows, paying close attention to the light source.

  5. step 05

    Refine the details of the face, hands, and skull, adding wrinkles, texture, and subtle color variations.

  6. step 06

    Add details to the book, including the pages and text.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and drama.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix burnt umber and ivory black for the dark background. Use raw sienna and titanium white for the skin tones, adding small amounts of yellow ochre and cadmium red light for warmth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of the figure and skull.
  • →Ignoring the subtle color variations in the skin tones.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne