apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ritorno Dalla Fiera
Ritorno Dalla Fiera by Pasquale Celommi

plate no. 2773

Ritorno Dalla Fiera

Pasquale Celommi, 1888

oilRealismgenre paintinginteriorfigureskitchenfireplacechildrendomestic scene
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a realistic setting and understanding how to create depth using value and color temperature. It also provides practice in rendering textures like brick and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements of the kitchen.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, starting with the darkest areas and gradually working towards the lighter tones.

  4. step 04

    Develop the details of the figures, paying attention to the light and shadow on their forms.

  5. step 05

    Add details to the kitchen interior, such as the fireplace, pots, and pans.

  6. step 06

    Refine the textures of the brick floor and other surfaces.

  7. step 07

    Add highlights and final details to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers to unify the colors and values.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use ultramarine blue and burnt umber to create neutral grays and blacks.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a convincing sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy